Maja MalmcronaGreed, Art, and CobaltI spent the last month of the year in bed. It was mostly bad luck — I don’t get sick very often but managed on this occasion to catch both…Jan 9, 2023Jan 9, 2023
Maja MalmcronaA Note on John Berger’s ‘Hold Everything Dear’This past December, I read my first John Berger book. It was his classic ‘Ways of Seeing’ and not unlike many other artists before (and…Jan 6, 2022Jan 6, 2022
Maja MalmcronaWhat is Dirty Minimalism?The essence of abstraction is the dislocation of an object. The intention is the disavowal of rigidity: an opening up, an inviting in —…Jan 3, 2022Jan 3, 2022
Maja MalmcronaA Conversation Between an Artist and a PhilosopherWhat do you take yourself to be aiming at when you begin a piece of art (e.g., a concept, a mood, a shape, or something else)?Dec 27, 2021Dec 27, 2021
Maja MalmcronaSpace & Materiality in Richard Serra & Sarah SzeRichard Serra (1938 — ) and Sarah Sze (1969 — ) are American artists working in the intersection between painting, sculpture, and…Nov 18, 2021Nov 18, 2021
Maja MalmcronaA Note on Visual AbstractionIf thoughts run through my mind while working it is questions — about what I’m doing in the moment and why. And, answers (or attempts…Nov 4, 2021Nov 4, 2021
Maja MalmcronaArt & TactilityTexture is an important part of many of your works. So it would be possible for someone to have a tactile as well as a visual encounter…Oct 13, 2021Oct 13, 2021
Maja MalmcronaThe Transferability of CreativityYour background is in architecture. How does your experience of creating something like No. 105 differ from the experience of creating an…Oct 13, 20211Oct 13, 20211
